Revisiting Anglican Classics: Jane Austen at 250

            250 years ago a baby girl was born in a country rectory in southern England.  She was the seventh child for her parents George and Cassandra within ten years.  She was baptised privately in her father’s church within a day – in those times of high infant mortality and dread of dying unbaptised, a wise precaution – and given the name ‘Jane’.  This was decades before reform of the registration of births, marriages and deaths: Jane’s baptismal name, entered into the Register of Baptisms of Steventon, was her legal name.  She grew up attending church regularly, observing her father go diligently about his ministry, joining in family prayers and saying her prayers at night, and in all other respects proving a lively and intelligent but also serious-minded young Christian woman.  She remained an active churchgoer all her life, mingled with country clergy, and as an adult even wrote her own prayers, a few of which survive amongst the small portion of papers and letters spared by her older sister Cassandra after her death in 1817.

            Jane Austen’s Christian life was completely unremarkable.  It is hard to say it was typical of her class and gender – she was, after all, a very remarkable woman.  But she was in earnest about her beliefs and moral values.  She never gave any sign that she did not take her faith seriously, or that she despised or rejected the church of her birth, the Church of England.  She is appropriately commemorated in the churchyard at Chawton, where she lived for the last eight years of her life, and buried in Winchester Cathedral.  She was devoted to her father, who was unquestionably a hard-working, faithful minister of the Gospel, a clergyman who was unaffected by the growing tide of Evangelical sentiment, but was also not closely identified with the traditional ‘High Church’ party out of which, two or three generations later, a more intense and emotional sacramental piety was to come, Tractarianism.  Rather, he was influenced by moderate Enlightenment ideas of ‘rational’ piety – undemonstrative, serious, ethically and liturgically conservative, not intensely sacramental, attentive above all to reading and preaching the Word of God.  He was comfortably off, but not rich, and like many clergymen of the period, he supplemented his relatively modest income, derived from endowment, fees and tithe, with private teaching and with cultivating the produce of the ‘glebe’, farming land attached to a living.  His life and ministry were of a piece with the experience of other country clergy of the eighteenth century.  I wrote about them in A People’s Church. A History of the Church of England (2022); I could have used George Austen as an example.

            We do not think of Jane Austen as a ‘religious novelist’.  She was not, for example, like the Victorian novelist Charlotte Yonge, who was profoundly influenced by John Keble and who used her novels to explore doctrinal themes and religious dilemmas.  And I won’t be making the case here.  Jane rarely touched explicitly on matters of faith.  One partial exception is in Mansfield Park, where the heroine, Fanny, regrets the loss of family prayers in great houses: “It was a valuable part of former times”, she says: “There is something in a chapel and chaplain so much in character with a great house, with one’s ideas of what such a household should be! A whole family assembling regularly for the purpose of prayer, is fine!”  This could be read simply as a kind of aesthetic approval of a formerly established practice now disappearing, but it seems likely it was more than that, and reflected Jane’s instinct that the habit of daily prayer, as she knew it, was no less relevant for the houses of the gentry and nobility than it was for those of the clergy.

            Her novels are steeped in the social world in which she moved, and in which local society was completely entangled with, and involved in, the ministry of the Church of England.  But you get the sense she largely takes that for granted.  It is of course personal drama, the intersecting lives and loves of young women in particular about which she writes.  Like the Napoleonic wars, the operation of the political system of her time, the agrarian and even industrial revolutions occurring around her, the life of the Church of England is not in the foreground of her work – it is simply an unavoidable aspect of the social and moral landscape for her, sometimes even just a shadow in the background.  One could make much the same point about the writing of the Brontës, incidentally.  Yes, there are plenty of clergy in Jane’s novels, and many of them – the egregious Mr Collins the standout example of course – are there to be satirised, but I don’t think the satire reflects a broader assault by Jane on the Church itself.  Rather, I think it’s the other way round – she could satirise clerical shortcomings precisely because she valued the role and vocation of the clergy so highly and knew they often fell short.

            In another sense, though, her novels are deeply moral and, without being didactic and narrow, they do expose their characters to a sort of process of moral education, by which their prejudices are exposed, their pride curtailed, their manipulation of people discomfited, their aspirations purged and made realistic.  Kindness is celebrated, arrogance and cruelty criticised.  The moral framework of Jane Austen’s novels is deeply, irretrievably, unavoidably Christian.  It is, in a subdued and subtle way, the morality of the Sermon on the Mount.  And she is not afraid to take a firm moral standpoint. She is ‘judgey’, in a manner that is extremely unfashionable today.  F.R. Leavis had a point when he placed her in his ‘great tradition’ of English novelists writing out of strong moral convictions, whatever you think of his argument overall.

            In saying all this, of course, I’m not saying anything new.  The late Irene Collins, historian and Austen specialist, wrote two detailed, authoritative books on this – Jane Austen and the Clergy (1994) and Jane Austen.  The Parson’s Daughter (1998).  And yet the religious background and identity of Austen’s work is almost completely ignored today.  In the current round of celebrations of her birth, almost nothing has been said about her religious identity.  The much-praised BBC series Jane Austen: Rise of a Genius was lamentably thin on her religious and intellectual formation and her moral values, instead – inevitably – casting her in a counter-cultural mould as someone who ‘ripped up the rulebook’.  Really?  Lucy Worsley’s programme on the making of Jane Austen likewise said little about her faith.  Other popular biographies likewise have a great black where this absolutely fundamental aspect of her life ought to be.

            What is going on here?  Religion – and particularly Christianity in its conventional Anglican form – is such an embarrassment now in mainstream media that it’s best simply ignored.  A process of cultural aphasia has been going on for years, by which central elements of British culture and history which were steeped in Christianity are set to one side, or treated at best as a peripheral eccentricity, at worst as an ideology of oppression.  Really, it is impossible to understand British history and culture, including the lives and work of the vast majority of novelists, dramatists and poets writing in English before the second half of the twentieth century, without taking into account the completely normal, largely accepted and yet internally complex and contested fact of religion. 

            But if we put back the religion into our reading of Jane Austen, or at least, recognise its presence ‘in the wings’ of her works as well as its embeddedness in the moral outlook of her characters and narratives, could we risk calling her works Anglican classics?  The term ‘classic’ is of course highly contested.  It’s a term with unstable content.  Leavis might have tried to fix the dramatis personae of his English tradition, but it’s widely recognised now that he thought in much too narrow and dogmatic a way.  We have been re-evaluating long neglected artists and writers in recent decades.  We recognise a greater fluidity, and a greater richness and diversity, in the writing we might want to deem in some sense ‘classic’.  Even apparently well-established writers go in and out of fashion.  Who now takes much notice of that supposedly gendered term ‘man of letters’?  Who reads Carlyle, Johnson, Ruskin today, to mention a mere handful?  ‘Writing’ in popular jargon has been constricted more and more to fiction.  Personally I’d be very happy to deploy the term ‘woman of letters’ – how else might we describe Dorothy Wordsworth and Jane Carlyle, for example?

            But of course, even granting the contested nature of the term ‘classic’, probably no one is going to dispute that Jane Austen’s works are classics.  But are they Anglican classics?  As I’ve said, you can hardly claim that they are explicitly and directly religious works in a way true of some other writers.  I think we can be pretty sure that she didn’t see her novels as didactic or as Anglican apologetic.              She was Anglican in upbringing and religious practice, she never seems to have questioned her Anglican identity, she wrote about Anglican clergy (I’m struggling to remember any Nonconformist or Catholic figures in her novels).  More to the point, as I’ve indicated, the moral framework within which she writes is of a piece with a certain kind of practical Anglican piety, the piety perhaps of William Law’s Serious Call to a Devout and Holy Life (1729), published just a few years before her father’s birth, or the much earlier Whole Duty of Man (1658), probably by Richard Allestree but popular throughout the late seventeenth, eighteenth and early nineteenth centuries.  That is a morality modest and practical, serious, attentive to the needs of others, careful about its own motivations, and seeking virtue without fuss and showiness.  These books and others were read not jut by clergy, but by ordinary, literate people.  They were hugely influential, just as Bunyan, Milton and Shakespeare were, of course.

            Even so, I’m still reluctant to pin the word ‘Anglican’ so directly to Jane Austen’s writing.  I think she would probably have recoiled from something so explicit as a description of her work.  And there might be a risk of implying a kind of narrowness that most of her modern readers wouldn’t readily accept.  All the same, whether you’re a Christian or not, it’s difficult seriously to argue that you can ignore the fact that Jane was a person of faith and pretend that her whole mental and intellectual makeup can be understood without recognising that.  But that’s the problem with the eviscerated version of our past we’re now expected to accept, and which is blandly transmitted by the mainstream media.  We don’t want to face up to the religious identity and complexity of our past.  It’s easier not to think about it at all, or to pretend, like a sort of crude Feuerbachian analysis, that when people in the past talked about religion they really meant something else – community, hierarchy, oppression, whatever.  To paraphrase E.P. Thompson, we’re happy to look at people in the past with the ‘enormous condescension of posterity’ (incidentally Thompson himself was not above that).  So, when come to think about Jane Austen, we want her to be like we want to be – we want her to be lively, witty, subversive, but – please God! – not religious.

Revisiting Anglican Classics 10: Rose Macaulay’s The Towers of Trebizond

Rose Macaulay’s Towers of Trebizond (1956) is generally regarded as her masterpiece, and almost certainly it is the most commonly read of her novels today.  It is also a sort of running tribute to Anglo-Catholicism, saturated with asides, often hilarious, about Anglo-Catholics and their peculiar habits and attitudes, and at the same time quietly appreciative of the magic and charisma of that tradition.  I’ve often heard it described as an ‘Anglo-Catholic’ novel, but I’m not sure that that’s true.  At least, it is hardly a vehicle for the devotional and sacramental seriousness of Anglo-Catholicism.  It is not a novel which – unless something has escaped me – tries to illustrate the truth of Anglo-Catholic theology.  Its narrator is a young woman, Laurie, engaged in an adulterous affair with a married man, and who seems to be drawn to Anglo-Catholicism despite her manner of life and despite her own hesitations about belief.  But there is no clean resolution, no heavy moral at the end.  This is not the novel of a latter-day Charlotte Yonge.  It seems little more than a sort of picaresque, dilettante travelogue at first.  But it sort of grows in depth, as the somewhat absurdist plot unfolds, becomes more complicated, and reveals the central moral dilemma of Laurie’s life.

The story centres round a journey Laurie makes with her eccentric Aunt Dot, a convinced Anglo-Catholic, and a Father Chantry-Pigg, into Turkey in the 1950s to save women by converting them from Islam to Anglicanism (for readers instantly alarmed, no one actually gets converted to Christianity in the novel, and one recent convert in facts reverts to Islam).  They travel with a camel Dot has acquired, and then at first also with a Greek man, Xenophon (seriously), and a Turkish woman doctor, Halide, who has become a Christian.  Halide is the person who returns to her original faith.  The goal of the journey is Trebizond (Trabzon today), the fantastical Byzantine city on the Black Sea which briefly survived the fall of Constantinople before coming under Ottoman rule.  But near the border with the Soviet Union, Dot and Father Chantry-Pigg unexpectedly disappear into Russia, leaving Laurie and Halide with Dot’s camel.  Eventually Laurie returns home, torn between her spiritual attraction to Christianity and her rather more sensual attraction to Vere, the married man.  Dot reappears a good while later, Laurie teaches an ape to drive and to become Anglo-Catholic (again, seriously…), and in a rather shocking denouement, the tension Laurie experiences between passion and faith is resolved by a terrible car accident in which Vere is killed. 

Alternately whimsical, funny, and perceptive, it is quite hard at first to regard the narration as anything than a comic fantasy, a sort of folly made up of the utterly implausible.  But in my view it would be quite unfair to dismiss the novel as anything other than a superficial delight.  It seems to me to have some echoes of Laurence Sterne, perhaps even Cervantes.  The humour appears to deflect more serious reflection, but actually as you read your way into the novel, and become more accustomed to the personality of Laurie, from whose perspective it is written, you begin to see that the diagonal associations, the darting back and forth, of the prose teases out more serious layers of experience and emotion.  Laurie’s apparent drift – she sometimes seems to be utterly without a plan in life, pulled this way and that by her aunt, or by Vere – enables her to weigh up choices, to listen carefully to what others are saying, and even to see the limitations of her own position.  Religion here is treated affectionately and mildly, and if on the one hand there is a certain inoculation against the severer demands of faith, on the other we’re left in no doubt that religious belief and practice is fully part of life. 

There may be other dimensions, too.  I’ll need to read the novel again some day to think more about this.  Is Trebizond here intended to be a mystical destination, a sort of half-remembered, mythical past, evoking a goal which can never meet our expectations but makes the journey worthwhile for all that?  Does it stand for a Christian past marooned in a world and time now distant from it?  Does the ape – this is a really bizarre episode in the novel – somehow evoke the emptiness, the mechanical or unreflective nature of modern life?  And what about Aunt Dot and Father Chantry-Pigg’s foray into the Soviet Union, which they seem to have undertaken in a spirit of flight from capitalism, but with a completely misplaced understanding of communism?  I simply don’t know.

            It is also quite hard to know what to make of the final tragic end of the novel, with Vere’s death in the car accident triggered by Laurie’s drug-fuelled (“I took a euphoria pill, which makes you feel as if you would get there in the end”) impulsiveness as driver.  Is Macaulay killing off the sinful affair in punishment?  It doesn’t impel Laurie towards church, despite her guilt, for Vere was not a believer, and she could not argue “against the gentle mockery of that mutilated figure whom I had loved and killed”.  The novel ends on a sort of question mark, with a nod to the mystical, remembered experience of the towers of Trebizond. 

Encountering Pope Francis

            As preparations are under way in Rome for the funeral of Pope Francis, inevitably I’ve been thinking over my impressions of him.  I met him a handful of times, mostly in the company of many others, a couple of times as part of a small group.  This isn’t basis enough to say very much about him, in comparison with friends and colleagues who met him frequently, and I’m not sure I could add all that much to what others have said.  But here is my pennyworth.  My own impression on first encounter, in 2023, was above all of overwhelming warmth.  He was already a bit frail, stumbling and shuffling; more than I had imagined, he had evidently put on weight as his mobility decreased, and he struggled with standing, needing a stick or support by an attendant.  After all, he was 86!  But his face, voice, gestures, were vigorous and animated, his smile wide, his eyes (cliché I know) twinkling.   He’d just had over half an hour’s private conversation with Archbishop Justin, and the warmth and strength of their rapport lingered on into the greetings with the wider group of visitors.  He seemed to have bags of emotional intelligence.  He was alert to everyone in the room. 

            I could extend that impression in two ways.  First, I got the sense that he really did live the joy of the Gospel.  That was the title of his first Apostolic Exhortation, after all – Evangelii Gaudium (2013).  He communicated joy, lived it, saw it in other people, even in the saddest of situations, and without in any way diminishing the terrible suffering he encountered in the lives of other people, he didn’t seem to allow the world’s wickedness and tragedy to rob him of a great joie de vivre in Christ.  And he saw joy as a central – almost the central – emotion of life in Christ, and so, by extension of the being of the Church.  I think for him love and joy were almost interchangeable terms.  That is the main theme of another great Exhortation, Amoris Laetitia (2016), ‘joy of love’, where, in his opening sentence, he says that the joy of love experienced by families “is also the joy of the Church”.  Now admittedly in that Exhortation the life of families, with marriage and childrearing, is placed at the centre of his concern, a traditional Catholic preoccupation with family life which Francis entirely endorsed and encouraged.  But even here his delight in situations which he describes as irregular or in some way falling short of that ideal shines through in a concern for a compassion which discerns the action of God in the world at large: “I sincerely believe that Jesus wants a Church attentive to the goodness which the Holy Spirit sows in the midst of human weakness”. (para 308).  He did, as a human being, let alone a bishop, communicate that awareness of the ubiquity of life in the Spirit, and the joy which it brings.

            And that, for me, prompts a second thought.  Anyone who has occupied high office or worked closely with those who have will, I hope, admit that the sheer number of people you meet even in the course of a normal working week may be overwhelming.  Days packed with meetings, often with groups of people, can be exhausting even for those who are extrovert and draw their energy from social interaction.  In such situations, it’s not uncommon to find the trappings of office something of a cushion, or a prop, or a boundary within which it becomes possible simply to keep focus and energy.  I think that’s what happened, for example, to Cosmo Gordon Lang when he was Archbishop – a deeply sensitive, private man who acquired the reputation of pomposity and prelacy, but who I think to some extent shielded himself behind the influence and show of office.  Like Francis, Lang was a celibate, and did not have the comfort of a life companion.  But Francis seems somehow to have risen above the constraints of office.  The Vatican is an immense, grandiose, even intimidating building.  Its protocols are carefully guarded and controlled by a bureaucracy which some think – who am I to say? – is defensive and self-sustaining.  But Francis sat rather light to it all.  He joked in the meetings at which I was present about how he would annoy some of his attendants by doing things in a different or unexpected way.  He was mischievous, but kind, compassionate and open.  That was his charism.

            He tried, I think, to embed that spirit at the very core of the Catholic Church.  It was exactly what his increasing preoccupation with the principle of ‘synodality’ was all about.  This was both a more and a less radical proposal than many of his critics supposed.  Much has been made of the linguistic roots of the term in the Greek or Orthodox understanding of ‘together on the way’, syn hodos.  It was not a doctrinal proposal.  In essence, so far as I can see, Francis remained doctrinally – and I include moral teaching – conservative.  That is the source of some of those rather damaging asides, such as the one in which he complained about too much ‘gay behaviour’ or some such term in the Vatican.  Yet his pastoral instincts were inclusive and compassionate, and in the end he was prepared to recognise, at least de facto, the limitations of a sheerly conservative interpretation of Catholic life and practice.   He was, in this, not unlike his hero John XXIII.  So there will be a great deal of weighing up of his legacy in the years to come, as people try to understand exactly where he stood on any one specific issue, how the apparently progressive instinct could sit alongside an equally evident caution and traditionalism.  Synodality was not ever intended to be a way of changing doctrine and practice significantly, at least not in substance.  That’s why it could never be enough for progressives in the Catholic Church.  Rather, it was to be a way of re-engaging the Catholic Church with the life of the world in all its diversity and difference.  Francis wanted to show the world that the Catholic Church was not above it, judging it, but walking alongside it, sharing its troubles and sufferings, its aspirations and joys.

            But the ‘synodal way’ he endorsed did have – or rather, does have – profound potential implications for the structures and the self-understanding of the Catholic Church.  After all the attention the two phases of the Synod of Bishops in 2023 and 2024 have garnered, I’m still not sure that the wider world has sufficiently grasped this.  By endorsing and propagating the description of the Catholic Church as synodal, Francis I think wanted to engineer a far-reaching revision of the culture of authority and hierarchy in the Church.  And that could have really radical consequences.  If authority in the Church is not so much exercised by one person over another – is not a prior exercise or assertion of power, in other words – but is first and foremost something absolutely inseparable from the faith and opinion of all the members of the Church, then it has to entail a genuine dialogue between hierarchy and people.  It may or may not eventually imply something akin to ‘democratic’ modes of representation and decision-making – and all the Catholic bishops I’ve met so far seem wary of synods in the sense in which Anglicans, Presbyterians, Lutherans and others know them, with full lay representation – but if it is to be a genuinely synodal way, it must take the culture of the Catholic Church in a very different direction from its present existence.  There’s a comparison of sorts with emergent notions of sovereignty in early modern Europe, I suppose, with the contrast between royal absolutism and contractual theories of government.  I’m not saying that Francis identified himself with anything as radical as this, at least in terms of practical outcomes.  He was concerned above all with pastoral outcomes.  But if you’re really serious about synodality, that is potentially where it leads.  A genuinely humble exercise of authority, rooted in the consent of all the People of God, drawing on the support of the baptised, and intimately related to their faith, experience, views and life, cannot be adequately expressed in the idea summed up at Vatican I of an immediate, universal jurisdiction over the Church.

            Well, it remains to be seen of course whether this is the actual horizon of Francis’s papacy, or whether, like a dream, it is waved away by the next Pope.  There are also profound ecumenical implications here.  Again, Francis conceded little directly to ecumenical partners on doctrine, though he did continue to support the well-established theological dialogues in which the Catholic Church has been engaged since the 1960s.  But in spirit, like John Paul II in particular, he went out of his way to welcome brothers and sisters in faith from other churches, and treat them as partners and equals.  I was present at St Paul’s-outside-the-Walls in January 2024, at the end of the Week of Prayer for Christian Unity, when Francis and Archbishop Justin jointly commissioned pairs of bishops from the Anglican and Catholic Churches for the work of what is (cumbersomely) called the International Anglican-Roman Catholic Commission on Unity and Mission, or IARCCUM.  Jointly – that is each commissioned both sets of bishops.  And there were women bishops present amongst the Anglicans.  What does that say about a conception of ministry in which each church can recognise the other’s reality as similar to their own?  Doesn’t it marginalise Apostolicae Curae’s 1896 adverse judgement on Anglican orders?  Well, these things will take time to work their way through, in all their implications.  But again it does accord with Francis’s great concern to take seriously the faith of all Christians.

            We watch and we wait.  In the meantime, we can at least commend a great Christian leader to God’s mercy and peace.

Revisiting Anglican Classics 9: Austin Farrer’s Crown of the Year

            It has been said by many people well placed to know, that Austin Farrer (1904-1968) was probably the finest Anglican theologian of the twentieth century.  I find it very hard to disagree with that.  He has even been called ‘the one true genius’ of the Church of England in that century.  But recognition of his stature has built slowly since his death.  He was always recognised as a unique voice, a philosopher and theologian who wrote little by way of classic systematic theology apart from a scattering of essays and lectures only drawn together after his death, a metaphysician who clung obstinately to the Anselmian ideal of ‘faith seeking understanding’ when the whole of Oxford had apparently succumbed to the materialism of logical positivism, an astute scholar of the New Testament whose Biblical scholarship was thought eccentric in his lifetime, and above all a compelling preacher whose sermons were perhaps the primary expression of his intellectual brilliance.  A Baptist by birth but Anglo-Catholic by conviction, he was a humble, softly-spoken man, whose defence of orthodox Christian belief probably looked dated in the Church of England of the 1960s and 1970s, adjusting as it was to a rapidly-changing society and culture.  There was nothing ‘trendy’ about Farrer.  He worked almost all of his life in Oxford.  It would be easy to think that he never looked out of the ivory tower.

            But that would be a fatal misreading of his life and work.  He was always alive to the developments around him, and somehow always a step ahead.  A book like A Rebirth of Images (1949), his study of the book of Revelation, managed to be both traditional, alert to contemporary challenges, and prophetic, all at the same time.  Here, he responded to the seemingly desiccated nature of historical criticism of the Bible by adopting a radically different approach, emphasizing the key role in the book of images which he connected with recurrent, permanent features of religious belief.  In hands, the book of Revelation became like a kind of painting which opened up Scripture to a fresh way of looking, or rather, in his words, “the one great poem which the first Christian age produced”.  His immediate contemporaries were perplexed by this – it was far off the beaten track of Biblical scholarship.  But the influence of the book has grown and grown, and it has resonated with much more recent trends in Biblical scholarship.  His great book of metaphysics, Finite and Infinite (1943), a fearsomely challenging read, defended traditional Christian metaphysics, and by extension the rational theology of the medieval schools.  But it ends with a thoroughly contemporary application: “As I wrote this, the German armies were occupying Paris, after a campaign prodigal of blood and human distress…But rational theology knows only that whether Paris stands or falls, whether men die or live, God is God, and so long as any spiritual creature survives, God is to be adored.”  The philosophy of religion, you might say, subserves, promotes and ends in the worship of God.

            That is a clue to the extraordinary internal coherence of Farrer’s seemingly disparate intellectual work, a fusion of faith, logic, scholarship, reason and imagination which – in my view – is unequalled in modern Anglican theology.  Many of his books could be called ‘classics’.  But to me one of the simplest stands out.  The Crown of the Year (1952) is a collection of one-paragraph (they were nicknamed ‘Farrergraphs’) homilies following the Prayer Book year.  It is a short, simple, entirely unacademic and accessible book, designed to be read in preparation for Holy Communion, by way of – he hoped – prompting people to prayer.  What is characteristic about his approach is summed up in the short Preface, where he speaks about the necessity to “express the central truths touching the sacrament”, Sunday by Sunday.  The homilies originated in homilies preached in Trinity College Chapel, Oxford, where he was Chaplain.  Their theology is, then, sacramental, but also incarnational, and integrative in the best sense, connecting as simply as he could the central truths of faith.  I have sometimes used his homilies in place of anything I could say, if I needed to say something simply and briefly.  The language still holds up.  They are very concentrated paragraphs nonetheless – they move quickly, and that’s why it is good to have them to read. 

            Inevitably, for anyone unaware of Farrer and particularly of this book, the only way to illustrate their quality is to quote them.  And I’ll quote in full just one, to end this blog.  In an almost poetic way, his homily for Ascensiontide binds together a wonderful range of thoughts and images, around the central theme of ascending flame:

“We are told in an Old Testament tale, how an angel of God having appeared to man disappeared again by going up in the flame from the altar.  And in the same way Elijah, when he could no more be found, was believed to have gone up on the crests of flaming horses.  The flame which carried Christ to heaven was the flame of his own sacrifice.  Flame tends always upwards.  All his life long Christ’s love burnt towards the heart of heaven in a bright fire, until he was wholly consumed in it, and went up in that fire to God.  The fire is kindled on our alters, here Christ ascends in fire; the fire is kindled in the Christian heart, and we ascend.  He says to us, Lift up your hearts; and we reply, We lift them up unto the Lord.”

Another forgotten war, another forgotten people?

A number of people have asked me if I could describe something of what I observed when, early in October, I travelled in the Caucasus with the Archbishop of Canterbury, and in particular what we saw of the unfolding crisis in Nagorno-Karabakh – or rather, its implications for Armenia, since it was of course impossible to go to Nagorno-Karabakh itself.  Incidentally, this is something of a misnomer, since the area is simply referred to as ‘Karabakh’ by the Azeris, and as ‘Artsakh’ by the Armenians.  Not only things and places, but names too are contested here.  What I am writing here represents only a personal point of view, of course.

The trip had originally been planned around two ecumenical commitments, ‘bookending’ the week – Rome on 30 September to attend the Prayer Vigil organised by the Taizé brothers in St Peter’s Square on the eve of the General Assembly of the Synod of Bishops, and Armenia later in the week to fulfil a long-issued invitation from the Armenian Apostolic Church to the Archbishop.  His immediate predecessors, Archbishops Carey and Williams, had gone to Armenia, but hitherto Archbishop Justin had not been able to do so.  But the context of the trip changed dramatically on 19 September when Azerbaijan, provoked so it claimed by attacks on its citizens, invaded the ‘breakaway’ republic of Karabakh/Artsakh.  Within a matter of days, the conflict was all but over, the entire Armenian population of the area fleeing to neighbouring Armenia.

So what had originally been intended as an ecumenical visit, centring on some days at the Armenian ‘Holy See’, at Etchmiadzin, a few miles west of Yerevan, inevitably now was overshadowed by the crisis in Karabakh/Artsakh and its consequences.   We’d gone on briefly to Azerbaijan after Rome, and of course heard one side of the matter there, proceeded to Georgia for a couple of days, and then made the journey by minibus – a long drive – from Tbilisi to Yerevan.  Arriving at Etchmiadzin in the evening, all we could gather in the darkness was a muted sense of the sheer scale of the Holy See.  It was only next morning, when I opened the doors onto my balcony and saw, in the cold, clear air, the snow-capped peak of Ararat in the distance, and had a chance to walk around a little before breakfast, that I could appreciate the grandeur and, I think, holiness of that place, where it really did feel to me as if the veil between heaven and earth is a little thinner than almost anywhere else I’ve ever been.  It is a place for silence, for contemplation, for prayer, even when, in the day, numbers of tourists are walking around.  The old cathedral at its centre, nearing completion of a major restoration project, goes back at least 1500 years, though there was a cathedral on the site from at least the fourth century.  Armenian Christianity is old, and great, and rich in its literature and traditions.

But we had too little chance to immerse ourselves in the richness of that tradition, given the inevitable visits and meetings which occupied our time.  They included a visit to a picturesque, mountainous town some two hours outside Yerevan, where the Armenian Church had turned a youth centre, housed in what looked like a former Soviet, barracks-like building, into a refuge for displaced people from Karabakh/Artsakh.  Some 80 or so were living there temporarily, the hope being that more permanent places of residence and even work could be found elsewhere in Armenia in due course.  But this will be a huge challenge for the country.  Some 120,000 people fled to Armenia in just over a week, leaving everything behind.  Scale up in terms of size of population, and that is like 2 million people arriving in the UK in just over a week.  The strain on health, employment, welfare and other services will be enormous, for years to come, for a country which is not rich in natural resources, and currently 43rd in the league table of European countries’ GDP.

The sense of disbelief, numbness, grief, desperation, even despair, was palpable.  Once you set this catastrophe – for no other word is possible for the experience of the former Armenian population of Karabakh/Artsakh – in the context of the long history of conflict and terror in the region (which has run on both sides), it is difficult to see how these people will ever have the confidence to return to their homes.  People spoke of being terrorized as they fled by random attacks, shootings, and bombings, even as some accounts from the other side emphasize the restraint exercised by the Azeri forces.  Their fears are of an impending, wholesale destruction of their homes and of their cultural heritage, including their churches and their graveyards.  This last point was something which hadn’t occurred to me, to my shame, until I heard it spoken about – the fear that where their families are buried will be bulldozed, their graves desecrated or destroyed altogether.

What has happened is a humanitarian disaster.  The complexity of the conflict over the last thirty or more years is such that it would be profoundly unhelpful for me to try to apportion blame.  But there is an urgent need here to put the human catastrophe back at the centre of all thinking about the future.  Karabakh/Artsakh was a religiously, even ethnically mixed area for centuries.  Something has to give here to enable the integrity and authenticity of ancient ways of life to be recognized and accepted.  There is not just a battle for territory, but also for memory.  Given that the international community, with just a few exceptions, always affirmed that Karabakh/Artsakh was part of the sovereign land of Azerbaijan, space needs to be found for a recognition of historic, communal identities.  Literature we were given on religious pluralism and toleration in Azerbaijan made almost no mention of Armenian Christianity, but instead appeared to substitute for it the highly controversial theory of an ur-tradition, an ‘Albanian-Udi’ form of the faith which had been all but obliterated by the Armenian Church.  The history of Armenian communities in Karabakh/Artsakh needs to be affirmed and valued, just as that of Azeri/Islamic communities in the same region.  That would be a start.

We flew back via Paris on 7 October, with all this still fresh in our minds.  Yet, even as we were waiting at Paris for our connecting flight, news was coming forward of the Hamas attack in Israel.  Since then, Nagorno-Karabakh has been completely erased from most of the media.  Please let’s not forget this war, and this people.

Are the winds of change blowing through the Catholic Church?

Never much interested in religious news, unless it also concerns money or sex, the British press showed barely any interest in what was happening in Rome last month.  But it was momentous, and all church people should take note.  It was an extraordinary opening-up of process and consultation in the Catholic Church.   It may be remembered as the summit of Francis’s papacy.

The title, ‘Sixteenth Ordinary General Assembly of the Synod of Bishops’ is not, admittedly, going to get pulses racing.  It sounds like just one more of those meetings of hierarchs we hear about every so often, which appear to bring weight and gravitas but little change to the life of the Church.  As a Synod of bishops, it was not, of course, like our own General Synod.  The Synod of Bishops is a select gathering of representative bishops from across the world, convened from time to time for consultation by the Pope.  In the past, these meetings have been little more than a show of episcopal solidarity behind the leadership of the Pope.  They have scarcely touched the power and authority of the Papal office, and the way it is exercised in the Church.

But Francis, as in so much else, has transformed the spirit of the institution.  In his apostolic constitution, Episcopalis communio (Episcopal communion) of 2018 he signalled two radical departures from the established way of doing things.  One was to give added force to the deliberations of the Synod, by strengthening its connection to the magisterium of the Catholic Church, its teaching authority: instead of the Pope over the Synod, Francis has attempted here to embed a doctrine of Pope in Synod.  All very well, you might think, but doesn’t that simply reinforce the existing hierarchy of the Church?

That is where the second innovation comes in.  Francis widened the consultative process to include the voices of the laity for the first time in the modern history of the Catholic Church, bringing their opinions directly to the secretary general of the Synod.  For the first time ever, women were appointed as consultors to the process, with the French nun Nathalie Becquart also appointed as under-secretary to the Synod, which brought with it (again a first for a woman) the power to vote in the Synod.

Under the diocesan phase of the ‘synodical way’, or ‘synodical process’, across the world the Catholic faithful were consulted in 2021-2 for their views on what ought to be the priorities for the Catholic Church today.  The results were something of a shock to more traditional voices.  Largely absent – though emphases and priorities varied enormously across the globe – were preoccupations with traditional doctrine.  Instead, pastoral exigencies featured particularly strongly, with especial concern for excluded or marginalised voices, including the LGBTQ+ community, the young, and divorced and remarried people.  These concerns helped to shape the working agenda of the Synod.  Some 70 non-episcopal representatives were appointed to the Synod, alongside the near-300 bishops, with laity, women, religious, as well as male clergy.  A further 12 ‘Fraternal Delegates’ from ecumenical partners, including Bishop Martin Warner from the Church of England, were – in a remarkable show of respect – accorded speaking rights. 

How significant might this all turn out to be?  The theological justification, laid out in two documents from the Catholic Church’s International Theological Commission in 2014 and 2018, repeats the pastoral, participative theme of the Second Vatican Council’s key text, Lumen Gentium, with its emphasis on the ‘whole people of God’.  English observers might be tempted to trace a longer lineage, encompassing for example St John Henry Newman’s famous article ‘On Consulting the Faithful in Matters of Doctrine’.  The Church is not just constituted hierarchically, with authority flowing outwards and downwards from Pope to people, but horizontally and even from ground up, by the ability of the people of God to recognise, confirm, and even criticise the processes by which the Church is governed, and so in turn (and this almost certainly goes beyond Newman’s sense) actively to shape them. 

If this impulse is really, and permanently, embodied in Catholic structures, the Synod may mark the beginning of a revolution in the Church.  But it is too early to say.  This October’s meeting was only the first of two.  Next October the Assembly will meet again in Rome to consider how what has been discussed this year can be translated into action and into structures.  And we do not yet know the outcome of this year’s Assembly, for its meetings were mostly in private.  I was privileged to attend one of the few sessions open to a handful of observers.  There was a great deal of talk of synodality and what it meant for the Church, and a sense of deep listening, but no votes were actually taken.  The closed nature of the sessions was, I presume, deemed essential to free expression of opinion.

Possibilities range from radical transformation (with some even speaking of the end of compulsory clerical celibacy, the ordination of women as deacons, and pastoral acceptance of same-sex relationships) to…well, not very much.  The Catholic Church is unlikely to embark on the wholesale creation of a synodical structure akin to ours, with houses of laity and clergy, parliamentary-style procedure, lobbying groups, and so on.  Progressives have seen this as the opening of a door, traditionalists as froth which will be blown away by a change of papacy.  But even if the structural legacy eventually process to be somewhat limited, the sense of fresh air – or more positively the free breath of the Spirit – blowing through the Catholic Church at this juncture is palpable.  In one of a number of addresses to the Assembly, Timothy Radcliffe OP reiterated the powerful sense of what synodality really means about the voice of the whole people of God: ‘Every baptised person is a prophet’.  If only we in the Church of England could really grasp that!

Revisiting Anglican Classics 8: Barbara Pym

            Barbara Pym’s writing is probably something of an acquired taste.  Her well-observed, delicate, deceptively light and funny novels are steeped in the world of the churchgoing middle class she knew so well.  You can read them just as a gentle sending up of that world, almost like a comedy of manners.  Very little really happens in them.  Emotions are hinted at, loves suggested or coveted but rarely fulfilled, apparently trivial things filling up the lives of people who seem to have very little to do apart from observing each other’s foibles.  Some people have compared them to Jane Austen’s novels.  They’re lighter, gentler, less resolved in the end, but beautifully written.

            Yet they have serious undercurrents.  Pym, born just before the First World War, and the daughter of a lawyer, was a churchgoer throughout her life, mostly attending Anglo-Catholic churches.  She had a number of intense love affairs, but didn’t marry or have children.  Themes of unrequited love, social class and its infinitesimally small gradations, education and literary inspiration run through her novels.  But so does a preoccupation with the gap between high moral and religious aspirations, and the practical, if not downright comic, disappointments of everyday life.  I’m not sure that you can say that this in itself makes her novels somehow typically Anglican, but it’s tempting to do so: there’s a sort of modesty and caution about her view of religion, which is sometimes assumed to be intrinsically Anglican, a sort of fusion of emotion, pragmatism and faith in a complex personal via media.

            To me, though, what’s really striking about her work, making it fascinating to me, but also probably by the same token dating it somewhat, is the assumption of the centrality of religion to her social world.  Yes, it’s a world observed from one particular standpoint.  There are few Dissenters in her novels.  Roman Catholics feature mostly as somewhat dangerous threats or temptations at the margins of her characters’ experience.  Anyone who grew up in an Anglican parish in the 1950s and 60s – well, before then too, of course – will recognise the gallery of characters she parades – the elderly spinsters, the well-meaning but ineffectual clergy, the do-gooding and interfering ladies of the parish, the somewhat exotic or bohemian people who flit in and out of church, the forceful vicar’s wives who really run the parish, and so on.  Yet none of these people are dismissed or treated contemptuously.  Without trying to analyse them, Pym manages to capture both their absurd and their serious sides, and shows the reader something of what they’re really like.

            It’s probably the early novels for which she’s best known, apart from her late work Quartet in Autumn (1977), and my favourite is Excellent Women (1952).  It’s written in the first person, the narrator Mildred Lathbury being an unmarried young-ish woman who harbours some longing for the rogueish Rockingham Napier, although everyone seems to assume she ought to get married to Father Malory, the priest at the ‘high’ church she goes to, and who lives his sister.  But she is uncertain about Malory, Malory is distracted by the arrival of a beautiful young woman as a tenant, Mrs Napier leaves her husband Rockingham, and on the fringes of Mildred’s world hovers an austere anthropologist (there are many anthropologists in Pym’s novels) who plainly is attracted to Mildred and shares her religious seriousness, but seems strangely elusive.  Nothing is fully resolved at the end – as I say, that is one of the contrasts with Jane Austen.  But the ebb and flow of these relationships is peppered with comments on church life, and it’s a church life which is characteristically that of suburban High Anglicanism, particularly of the mid-twentieth century.  There is no thought of the ordination of women.  Yet women basically run the church.  The men – the male clergy I mean – are mostly a bit full of themselves, sometimes pompous, sometimes rather drippy.  Here’s a little exchange between Mildred and the acerbic Sister Blatt about Father Greatorex, standing uncertainly in the middle of a jumble sale:

“Sister Blatt looked at me and clicked her teeth with irritation. ‘Oh, that man!  How he gets on my nerves!’.

‘He certainly is rather useless at jumble sales,’ I agreed, ‘but then he’s so good, saintly almost,’ I faltered, for I really had no evidence to support my statement apart from the fact that his habitual dress of cassock and old overcoat seemed to indicate a disregard for the conventions of this world which implied a preoccupation with higher things.

‘Saintly!’ snorted Sister Blatt.  ‘I don’t know what’s given you that idea.  Just because a man takes Orders in middle age and goes about looking like an old tramp!  He was no good in business so he went into the Church – that’s not what we want.’”

Here, for all the force of Sister Blatt’s criticism, in fact I think it’s Mildred’s gentle humanity that comes through so strongly, as it does throughout the novel.  Her hesitation and apparent lack of confidence mask a genuine kindness and appreciation of the foibles of human beings. 

            Barbara Pym’s novels are very much of their age.  There are many Anglicans today who’d barely recognise themselves in them.  And so much of the world she knew has passed away, though sometimes you can still hear echoes in parish life even today of things that would have been entirely familiar to her.  But I do think that the adroit fusion of awareness of human frailty and confidence, or hope, in an essential human goodness which shines through her work has something still relevant for faith’s engagement with the world today.

Revisiting Anglican Classics 7: F.D. Maurice, The Kingdom of Christ

This is probably going to be one of the more contentious posts in this series.  That’s not because there’s much dispute about the importance of The Kingdom of Christ in Anglican theological history – there’s some, but generally scholars recognize this is a significant book – but because most people trying to read it seem to find it unwieldy, overlong, and so confusingly written it’s almost indigestible.  It’s definitely one of those books more talked about than actually read – at least nowadays.

So why is it worth paying attention to this book?  It is, for a start, the most important theological work by someone who was probably, after Newman, the Church of England’s most significant theologian of the nineteenth century.  Maurice was a decisive influence in early ecumenical thinking, in the development of Anglican social theology, in eschatology,  in reflection on other faiths, in educational work, and in Anglican ecclesiology, to name just a few areas.  His work is hard going sometimes, but it does repay careful reading.  Time and again, he throws out unusual insights or provocative questions, which force you to question what you think and why.  If the overall drift of his theology was a blend of liberal Anglicanism and moderate High Churchmanship, nonetheless he is very hard to pigeonhole. 

The complexity of Maurice’s theological position in part derived from his relatively unusual – for a mid-nineteenth century Anglican clergyman – intellectual formation.  The child of a Unitarian minister, Maurice’s family home was riven by religious disputes between his father on the one hand, and on the other his mother and sisters who embraced a conservative Calvinism.  Maurice escaped this suffocating if emotionally warm religious turbulence by withdrawing into himself, reading intensively, and falling particularly under the influence of the Romantic poets and writers of the early nineteenth century.  He went to Cambridge to read Classics and Law (as a Dissenter, he could study there, but couldn’t take his degree without subscribing to the 39 Articles), and fell under the personal influence of Julius Hare, his tutor and a confirmed Coleridgean.  A little later, baptised as an Anglican and seeking ordination, he studied at Oxford. 

The Coleridgean influence was decisive.  Maurice was absolutely steeped in his outlook, drawing particularly on his philosophy and religious thought.  When Coleridge wrote in his Confessions of an Enquiring Spirit (not published until well after Maurice had become a Coleridgean), “In the Bible there is more that FINDS me than I have experienced in all other books put together”, we see the shape or intellectual disposition of Maurice’s own theological method: the emphasis is placed not on the reader’s subjective conviction, but on the communicative objectivity of the revelation of God in Scripture.  In other words, for Maurice, as for Coleridge, human reason was not so much a sort of calculating or ratiocinating capacity, as a function of a spiritual imagination which could grasp the truth which emanated from the Word of God.  This did not cancel out the critical faculties, but relativised them by prioritising the action of God in revelation.  You can see at once why some people have thought, surprisingly, that there is an affinity of sorts between Maurice and, of all people, Karl Barth.  God’s Word, for Maurice, was self-authenticating.

And yet, at the same time, there is also in Maurice’s work, as in Coleridge’s, a stunning breadth of intellectual sympathy, which discerned truth in the tortuous, error-ridden processes by which human beings across the ages and across cultures have tried to think about the world and about God.  Some have described this facet of Maurice’s outlook as Neo-Platonic, and it’s certainly true that he tended to see the types and shadows of eternal things in the world of time and place.  I prefer to call this a strongly sacramental sense, but I can see why one might stress its affinity with Platonism.

This aspect of Maurice’s way of thinking is crucial to understanding The Kingdom of Christ.  It’s a long book, made up of what are essentially three distinct treatises, unequal in length.  The first is a sort of ‘placing’ of Anglicanism, or rather the Church of England (Maurice only uses the word ‘Anglicanism’ once in the book, and then disparagingly, in reference to Tractarianism), in the spectrum of Christian believing.  He does this by considering in turn the major traditions of the Christian Church (except for Eastern Orthodoxy), in each case identifying what he thinks they have affirmed strongly which expresses a vital truth of Christian faith, and how they have neglected other truths by an over-emphasis on their points of distinction.  Actually, the Roman Catholic Church is also not considered here amongst the others, as such.  That’s because Maurice thought that the Roman Catholic was like a corrupted shell of the true Catholic Church – it held principles and structures in common with the Church of England, but had effectively subverted them.  I don’t think Maurice knew much about the Roman Catholic Church, in all honesty, and his argument here is particularly weak.  What he did do was to assume that the Church of England simply was the Catholic Church in England – he assumed, in other words, as his starting point the intrinsic truth of the Anglican position.

The second treatise is a long examination of what Maurice regarded as the defining features of catholicity – the authority of the Scriptures, the creeds, the ‘signs’ of baptism and eucharist, the structure of the ministry, and the use of a regular liturgy.  Having established in the first treatise that the existence of the kingdom of Christ is a presupposition of all movements in the Church which participate at least in some respect in Christian truth, here Maurice is laying the outlines of the ‘constitution’ of the Catholic Church.  And it’s here, too, that he discusses the Roman Catholic Church, or ‘Romish system’, critically, as a shadow of the true Church.

The third treatise is by far the shortest, and is really like an appendix to the main argument.  Maurice turns his gaze on the Church of England itself, and here asserts firmly the existence of all these constitutional aspects of catholicity in the Church of England.  He also considers the various ‘parties’ or groups within the Church, and again the applies the methodology (learnt from Coleridge) of affirming their positive statements of principle, and criticizing their denials.  Each party, by implication, stands for a vital truth which must be properly articulated in the catholic Church.

The first treatise, or ‘book’, became influential for Anglican ecumenical theology, and indirectly influential on some Catholic theologians, such as Yves Congar.  The second helped to shape the approach to Anglican ecclesiology which bore fruit in the Chicago-Lambeth Quadrilateral, the four-fold argument of Scriptures, Creeds, sacraments of Baptism and Eucharist, and historic episcopate (i.e. dropping the fixed or regular liturgy) which came to characterize Anglican approaches to church unity.  The second also reinforced the ‘national church’ argument, because it defended the idea that the Church of England simply was the Catholic Church in England.  Maurice also brought to bear a rather schematized idea of three ontological categories of family, nation, and church, which sat within each other like Russian dolls, but this is probably the least influential part of his argument.  And the third treatise or book buttressed what is sometimes called the ‘comprehensive’ idea of Anglicanism, the thought that Anglicanism within itself as complementary perspectives the liberal, evangelical and high church interpretations of Christian faith.

Various aspects of Maurice’s arguments were taken up in the late nineteenth and twentieth centuries by theologians such as Charles Gore, Michael Ramsey, Alec Vidler and Gabriel Hebert.  By the 1960s it was commonly said that he was the greatest Anglican theologian.  But then Stephen Sykes attacked Maurice’s approach in his 1978 book, The Integrity of Anglicanism (I’ll cover that in a future post), and since then, for many different reasons, Maurice’s star has sunk.  It’s a pity, because the complexity and fecundity of this great work justify the effort required to read it – in my view.

Revisiting Anglican Classics 6: Lancelot Andrewes’s Preces Privatae

For most of us, Lancelot Andrewes (1555-1626), bishop successively of Chichester, Ely and Winchester, is not much more than a name, famed for his great learning, and celebrated by T.S. Eliot, whose poem ‘Journey of the Magi’ draws on sermons, and whose essays For Lancelot Andrewes (1928) contain his public affirmation as a royalist and Anglo-Catholic.  Perhaps the greatest scholar of his age, and the presiding ‘genius’ of the Authorised Version, Andrewes was said to be King James I’s favourite cleric.  It was reputed that James even slept with a volume of Andrewes’s sermons under his pillow.

Andrewes certainly owed much of his spectacular success as bishop and court preacher to the patronage of James, yet no one could doubt the extraordinary and exhilarating depth and complexity of his theology.  His sermons abound in Biblical, Patristic and Classical allusions and quotations, dense in imagery and in tangled, subtle argumentation.  For a modern reader, they are hard going, and we owe a lot to a handful of modern scholars, including Nicholas Lossky, Marianne Dorman, and Raymond Chapman, for opening up insights into Andrewes’s theological world.  He had one of the highest profiles of the ‘avant-garde conformists’ of the early seventeenth century (a title preferred by some scholars to ‘Caroline divines’), celebrating church tradition, and the saints and in particular the Blessed Virgin Mary, and expressing a sacramental theology attuned to real presence. 

His sermons are mostly available only in selected editions, or in long-published second-hand editions.  They are rarely referenced in Anglican discourse today, largely because of the challenges of reading them.  This is less true of Preces Privatae, or ‘Private Prayers’, which are the prayers, notes and headings Andrewes developed for his devotional practice, and which have become probably his most influential writing.  They are, by any stretch of the imagination, an Anglican classic.  They have influenced subsequent prayers and devotional practices, been used as they stand for private prayer by many people, and also as texts furnished material for creative liturgical writing.  The intercessions used for many years at communion in King’s College Chapel, Cambridge, for example, were a synthesis of memorable passages from the Preces Privatae.  The edition almost certainly used to make that synthesis was published by the Anglican liturgical scholar, F.E. Brightman, in 1903, and that is the edition and which I use myself.

There are some difficulties in claiming that these prayers were literally as Andrewes prayed them.  They were never published in any form in his lifetime, and there is no evidence that he ever intended that they should be.  Though all the original material has good claim to come from him, there are four different manuscripts, in hands other than Andrewes’s, with different (though overlapping) content, and transcriptions of Greek and Hebrew texts of varying accuracy.  No comprehensive edition in the languages originally used was published until 1675, i.e. half a century after Andrewes’s death.  English editions, variously abridged, starting appearing from 1630 on, but heavily edited and abridged at first, and with other material interpolated.  Not until the nineteenth century, when translations of parts I and II were made respectively by John Henry Newman (1840) and John Mason Neale (1844), did the text largely as Brightman edited it became properly available, though he also went back to the Latin and re-translated it, drawing on their work.  Before then, in 1883 these earlier translations were re-worked by Edmund Venables, with texts from the Prayer Book and Authorised Version substituted for the equivalent quotations Newman and Neale had used.  So Brightman was building on the work of Newman, Neale and Venables, let alone a number of earlier editors.  It is striking that he did not try to modernize the language (apart from spelling); the text reads very much like a transcription of early modern usage.

That’s quite a complicated publishing history!  And, of course, the further complication is that we don’t know for sure whether Andrewes himself would have recognised or acknowledged the Preces Privatae as they were eventually published in English.  Nor do we know – obviously! – what was going on in Andrewes’s mind as he prayed with them, and so in effect how he actually used them, mentally I mean, in his daily devotions.  So there’s quite a wide gap between the knowledge that these prayers in some form were developed and used by Andrewes, and the conviction that what we have in Brightman’s edition is an entirely accurate rendering in English of what Andrewes himself prayed. 

I’m not sure that that matters, though.  Perhaps it matters for scholars of Andrewes’s life and thought.  But those coming to these prayers for personal guidance and inspiration shouldn’t be put off by the complications in manuscript and translation history.  The Preces Privatae have never become a really widely-used resource for private devotion, and that seems to me a great pity.  If you look at the text, you can see at once why they are difficult simply to pick up and use as written.  It’s said that Andrewes prayed for five hours a day.  One early account of his private prayer says that the text of these prayers – this refers to a manuscript we don’t have any more – was “slubbered with his pious hands and watered with his penitential tears”.  What we don’t have is a text laid out, for example, as are the daily offices of the Prayer Book and Common Worship, with full prayers, directions for use, and so on.  There are morning offices for the days of the week, but also generic morning offices.  We probably have to assume Andrewes used the Prayer Book for evening prayer – provision isn’t made here.  Then there are sections on individual themes such as ‘Penitence’, ‘Confession of Faith’, ‘Deprecation’, ‘Comprecation’, and so on.  Some prayers are written out in full.  Others are in the form of lists.  Others still have, seemingly, alternative biddings, sometimes polar opposites, as in the intercessions for Monday morning, which include the following:

“for the succour and consolation

            of all, men and women, suffering hardness in            {dejection

                                                                                                {sickness

                                                                                                {resourcelessness

                                                                                                {unsettlement;

for the thankfulness and sobriety

            of all, men and women, that are in good case in        {cheerfulness

                                                                                                {health

                                                                                                {resourcefulness

                                                                                                {tranquillity”

For personal use, it seems to me, you have to make a choice about what material you want to use and when, before you pray, because it would be difficult to find your way through them ‘as you go’.  Some prayers and texts, however, are really magnificent examples of thoughtful, compassionate, early modern prayer.  The intercession for Wednesday morning is one of the finest.  It’s long – over three pages – but contains some memorable phrases:

“Moreover we beseech Thee:

remember all, o Lord, for good,

have mercy upon all, o sovran Lord,

be reconciled to us all:

pacify the multitudes of thy people,

scatter offences,

bring wars to nought,

stop the uprisings of heresies:

thy peace and love

grant to us, o God our Saviour,

            Thou that art the hope of all the ends of the earth.”

I hope that quotation just gives a sense of the remarkable language of Andrewes and his translators here.  The language is not inclusive in a modern sense, and it is powerfully evocative of a theological world, let alone a social and political world, very different from our own.  Hierarchy is everywhere, heresies are deprecated, pagans or ‘paynims’ are to be converted, and so on.  But then, the same issue arises with the Prayer Book.  Whether you want to use this language or not depends, then, on whether you think it gets in the way of personal devotion.  It doesn’t for me.  I think we are more than capable of making the necessary mental adjustments when we pray with the Prayer Book, as I do regularly, and so with this text.  In fact, I’ve often used Andrewes’s prayers as a source for intercessions which can be used alongside the order of the Prayer Book.  They do reflect the same world and time as the Prayer Book.  But, like the Prayer Book, indeed like any historic Christian classic, they speak out of the past to us now, their very strangeness or unfamiliarity in a sense a prompt to reflection and meditation.

Ukraine: defining and redefining Orthodoxy

            I returned a couple of days ago from accompanying the Archbishop of Canterbury to Kyiv, to meet church leaders and learn something of what they and their people have experienced this year.  It would be extremely presumptuous of me – foolhardy even – to go on to pretend that I have anything more than a passing knowledge, after this one trip and the media and material I’ve read, of the complexity of Ukraine’s religious and political situation.

            But there is one matter that has been preoccupying me during and after the trip (and clearly I am speaking only for myself here).  The dominant religious tradition in Ukraine is Eastern Orthodoxy, but it has not one but three manifestations.  One I shall put to one side.  It is the Greek Catholic Church, formerly called the Ruthenian Uniate Church, which can be traced back at least to the forced realignment of Orthodox churches with the Papacy during the years of the Polish-Lithuanian Commonwealth, in the sixteenth and seventeenth centuries.  Whatever the origins of this church as a distinct religious tradition today, it has a large following particularly in some western provinces of Ukraine, and its cathedral in Kyiv, and is firmly within the Roman Communion and not, despite its Greek rites, what I want to attend to here.

            The other two manifestations of Eastern Orthodoxy in Ukraine – and the names can at first be very confusing – are the Orthodox Church of Ukraine (OCU), and the Ukrainian Orthodox Church (UOC).  The former, the OCU, is the result of a recent unification of two churches which had attempted to break away from the Russian Orthodox Church immediately after the First World War, had been suppressed by the Soviets, and had then re-emerged after the fall of the Soviet Union.  In 2019 the united church was granted the decree or Tomos of autocephaly by the Ecumenical Patriarch, Bartholomew I, and it is now affiliated to the Ecumenical Patriarchate.  This very brief sketch of its history give some indication perhaps of how easy it might be to assume that OCU is the authentic voice of Orthodoxy in Ukraine.  Its identity and existence is almost inextricably bound up with the existence of an independent Ukrainian state.

            But then there’s the Ukrainian Orthodox Church.  At least before February 2022, it was almost certainly the largest church in Ukraine, spread across the entire country.  It is frequently described as the ‘Ukrainian Orthodox Church–Moscow Patriarchate’ (UOC-MP) to distinguish it from OCU, and to demonstrate that its affiliation until very recently was with the Moscow Patriarchate.  When people talk about the ‘Russian Orthodox Church’ in Ukraine, this is what they mean.  UOC have a large network of parishes, eminent theologians, cathedrals, a significant presence at the ‘Lavra’, the historic ‘monastery of the caves’ on the eastern edge of Kyiv.  They too see themselves as authentically Ukrainian, and yet their identity – obviously – is much more directly associated with the history of the Russian church than is, seemingly, that of OCU.

            But the question that arises now is this.  With Ukraine at war with Russia, what do you do with the ‘Russian’ identity of UOC?  You can see at once how the leaders of UOC find themselves in an extremely vulnerable position.  They have condemned the Russian invasion (perhaps not vociferously enough for some), mobilised their people to resist the Russian forces, and declared their independence from Moscow.  But their leadership includes many who were educated in the years of the former Soviet Union, and by culture they remain ‘Russian’.  In the dire circumstances in which Ukraine now finds itself, fighting for its very existence, with the most intense and unimaginable pressures facing its political leaders, it is hardly surprising that UOC finds itself being pushed hard on its Russian identity.  The President of Ukraine recently signed into force a measure which could lead to the effective suppression of Russian Orthodoxy in Ukraine, even though it seems the vast majority of UOC’s members are Ukrainian patriots who also want to see the Russian forces expelled from their country.  The ‘Lavra’ has been transferred from UOC to OCU control.  The very future of this church now as a self-declared, independent entity seems uncertain. 

            But in all this, an outside observer might wonder whether there is an ongoing confusion between two cultural/political/historical ideas of Russian Orthodoxy.  Unquestionably, to the Moscow Patriarchate, there is only one authentic Orthodox church in Ukraine – the UOC.  Even though the UOC has declared itself independent, the Moscow Patriarchate continues to recognise its clergy and hierarchy as properly canonical.  To the Moscow Patriarchate, the OCU is not even a church – it is a sect in schism from the Church.   If the tanks come back, then – as most certainly Ukrainians know – something like a forced realignment with the Moscow Patriarchate would take place.  This is, really, a national, political reading of Russian Orthodoxy that obliterates the independent voice of the Ukrainian people.  But this is not what the UOC now represent.  Instead, they are aligned with the defence of Ukrainian national independence.  Theirs is a cultural, ecclesiastical idea of Russian Orthodoxy, which should have little or no overlap with the imperial claims of Moscow.

             For Anglicans, I can think of one situation which bears some comparison.  During the American Revolution, many Anglican parishes in the thirteen breakaway colonies continued to describe themselves as Church of England, used the Book of Common Prayer, and even continued to pray for the King.  They were suspected by others of being traitors to the rebels’ cause.  Indeed, many colonial clergy in America were loyalists, and opposed to the Revolution.  They had a hard time in the immediate aftermath of the British withdrawal in 1783 in convincing their fellow American citizens that they could be trusted, and that they could become loyal citizens of the new republic.  They had to suspend direct ecclesiastical relationships with the Church of England for a time, eradicate royal references from the liturgy, and seek validation for their ordained ministry from the ‘dissenting’ bishops of the Episcopal Church in Scotland.  They had to reconfigure their polity to embrace a model of authority closer to that of the new constitution of America than was the dominant Anglican model, that of the Church of England.  In time, the tensions grew less, though they have never entirely disappeared. 

            It is probably much too early to consider whether or not a union of the two Orthodox churches in Ukraine could come about.  But surely one thing is clear – at least to me.  If it is to come about, there will need to be a constructive approach by each church to the other.  Pace St Augustine, truthful, honest affiliation cannot be compelled.  The national-political idea of Russian Orthodoxy, expressed in the suspect form of the Russky mir ideology, has to fall away from the discussion of church relations in Ukraine.  Russian Orthodox in Ukraine who are sincere Ukrainian patriots need to be free to find a space in civil society in which they can continue to stay true to their church’s traditions, including their historic debt to the Russian church, but separate themselves in all other ways from the political morass created by Putin’s invasion and the Patriarch’s evident support for it.

December 2022